Other motifs include:
In 1818, two trees were removed for the widening of the road. The pavement trees – a stylized yew tree and a laburnum tree – are in honor of the missing trees. Yew trees are often associated with churchyards. The laburnum, or ‘golden chain’ tree, symbolizes the building’s current use.
The Yew Tree
The candle below the yew tree refers to the ‘Caunnel Kirk’ established by David Dale, the philanthropist, who is buried in the Ramshorn. The book with the initials refers to the Foulis Press, which was founded in 1742 by the Foulis Brothers, both of whom are buried near the Ramshorn. The wheat beside the tree refers to the church and to the early rural nature of the land. Angels blow trumpets, or horns, around the top of the tree.
The Laburnum Tree
Laburnums are sometimes called golden chain trees because of their chains of yellow flowers. The pavement tree symbolizes the link between the old and the new story of the building. To the left of the tree is a vine, referring to the church. To the right, a chain links it to modern times. More angels blow their trumpets around the crown of the tree.
The Church Silhouettes
The original church - St David’s - was built 1719-24 through public subscription. According to a contemporary report it was surrounded by orchards of cherry and apple trees, gooseberry and currant bushes, kail, leeks and herbs. Early in the nineteenth century, the church was demolished. Thomas Rickman, a Quaker from Maidenhead, was employed to design the new building in the Gothic style, completed in 1824.
Circle of Angels
This is inspired by the circular stained glass window above the stairs to the Ramshorn. It shows a central angel flanked by five others, flying out in different directions.
The ladder with flame, light and clouds refers to a disaster in Cheapside Street, Anderston, in 1960. A warehouse exploded killing nineteen firemen. Some of the firemen were laid out in the Ramshorn before being taken in a long procession to be buried in the Necropolis. The image itself is inspired by a picture from Utriusque Cosmi, a book by Robert Fludd printed in 1619.
Titania and Bottom
This picture shows an audience watching a scene from Shakespeare’s A Midsummer Night’s Dream, in which the queen of the mystical world is bewitched into loving a foolish mortal dressed as an ass. Connections have been made between this play and The Golden Ass by Apuleius. This continues the theme of gold, begun with the skeleton’s coins and continued in the laburnum tree.
Spiral of Words
The last words of the spiral refer to the date that the church became a theatre: 1992. It begins with two of the earliest productions by Strathclyde Theatre Group, founded in 1971. The first play was Everyman. The Golden City was a promenade performance, and returns the idea of gold into the city itself.